National Trust
Paycocke’s is a surviving example of a Tudor merchant’s half-timbered house, standing on the main street of Coggeshall, Essex. Paycocke’s oldest part was owned by John Paycocke, a meat merchant. His son, Thomas, a prosperous cloth merchant, built the front main range as a showroom for his cloth business. In the 18th century, the property came into the hands of the Buxton family, who eventually sold it and moved to London. After numerous changes of ownership and increasing disrepair the house was about to be demolished when bought by Noel Buxton in 1904. Buxton had the house restored, and in 1924 it was donated to the National Trust.
The house is well worth a visit, as the wood carving on the frontage is outstanding, and there is also much carving and some interesting exhibits in the interior. The pleasant garden, whose design dates from the early 20th century, is worth a look. Note that entry to the garden and tea-shop is free, but there is a charge for entering the house. At the time of visiting (Aug. 2022) entry was by conducted tour only, and the last scheduled tour was at 2pm. The website says that advanced booking is advised.
If you arrive by car, with luck you should find free parking on the street near the house, or at the nearby Grange Barn (also NT, not seen).
If you have time, Coggeshall also boasts a clocktower, St.Peter ad Vincula church, The Woolpack Inn, St Nicholas’ Chapel and a host of old listed buildings.
Category: House
Grand houses
Ingatestone Hall, Essex
Private
I visited Ingatestone Hall under the Historic Houses Association’s “Invitation to View” scheme. The Hall is also opened to the public on selected dates.
At the dissolution of the monasteries, one William Petre, a lawyer from Devon, purchased a manor at Ingatestone that had belonged to Barking Abbey. Petre constructed a brick house that is substantially the same house we see today, still occupied by the Petre family.
Extensions were added at one side, incorporating two priest’s holes. In the 18th century the west wing, containing the Great Hall, was demolished, leaving the U-shaped plan we see today, and the windows and other features were ‘modernised’. The Petres moved to Thorndon Hall nearby and the house was subdivided into apartments.
In 1919 the Petre family moved back to the house and the 16th Lord’s widow immediately set about restoring the house to its original Tudor appearance and layout. This was a mammoth task, which was sympathetically carried out. Today it is hard to distinguish the original parts from the restored or reproduced features of the house.
The conducted tour was very informative. The house interiors and contents are generally in an Elizabethan or Jacobean style, and there are some pleasant grounds to explore. We were able to examine the priest holes.
During our visit a film crew was working in the house, filming an episode of ‘Horrible Histories’.
On approaching the area from the South, take care when leaving the A12, and follow the signage for the village rather than your satnav. My satnav sent me back onto a slip-road and a detour of many miles up the A12 and back.
Stanstead Bury, Herts
Private.
I visited Stanstead Bury under the Historic Houses Association’s “Invitation to View” scheme.
The house is of Tudor origin with additions made at various periods They have all left their mark and the house is now an unusual mix of architectural styles. The earliest visible part is a half-timbered newel staircase and the most recent addition was built in 1963. It has a fine William and Mary front. It is very definitely a family house – the inside is filled with Trower possessions accumulated over the last 150 years.
The tour includes the ground floor, first floor including bedrooms, 17th century walls surrounding the vegetable garden, and the gardens (to view the exterior of the house). The St James church nearby is also opened for visitors.
I enjoyed my visit – our guide was enthusiastic and the house has some attractively furnished and decorated principal rooms and upstairs has a warren of floors and differing levels. The newel staircase is an unusual feature. There is also a large walled garden.
The house is quite difficult to find, so should you visit, be sure to check out its exact location on a large scale or online map. My Satnav + the postcode sent me up a left fork ending in totally the wrong place on the wrong side of the A414 expressway.
Floors Castle, Roxburghshire
Privately owned
The most immediately striking thing about this castle is its size – I had to take three shots of the frontage or take a long walk to get it all in – and its turreted skyline. There was a fortified 15th century tower house on this site, replaced in 1721-26 by a Georgian mansion designed by William Adam. This had four corner towers and outlying two-storey pavilions housing a kitchen and stables. In 1837-47 the Scottish architect William Playfair extended Floors, adding substantial wings, a porte-cochere at the front entrance, and multiple square and hexagonal turrets.
Around a dozen rooms on the main floor and basement are open to visitors, including much of the floor area of the central block at this level. A ground floor plan of the castle is available here.
The display rooms contain some fine paintings and furniture. The visitor route includes entrance hall, ante-room, sitting room, drawing room, needle room, ballroom, billiard room, bird room, gallery, dining room, robe room and basement. The Drawing Room has a fine set of tapestries, inherited by the then Duchess in 1929, and the room decor and ceiling were made plainer to highlight them. The Ballroom has more of the tapestries, and the original decor was covered over with plain panelling to highlight them. The Bird Room has a remarkable collection of hundreds of stuffed birds in cabinets covering all the walls. A few of the species, e.g. the passenger pigeons, are now sadly extinct. The Dining Room was formerly the Billiard Room in Playfair’s design. The basement contains a remarkable model of the castle, made of sugar icing, sporting exhibits, and a carriage and fire engine. Interior photography was not permitted.
To reach the walled gardens one has to make a substantial walk to the west. The walled garden contains flower and vegetable planting and from it one can access the Millennium garden, with pathways forming the crest of the 10th Duke and Duchess.
The castle is the centre of a 21,000 estate including tenant farms and a wind farm.
Traquair, Peeblesshire
Privately Owned
Traquair is said to be Britain’s oldest inhabited house. It existed in 1107 and has been extended since then. The lower side wings were remodelled in 1695-1699. The house was used by various Scottish kings and has a long association with Jacobites and Catholicism. Mary Queen of Scots stayed here and one can see her bed and the cradle in which she rocked the infant James.
A number of rooms on several floors are opened to visitors, containing period furniture, artifacts and facsimile documents. The High Drawing Room has recently rediscovered painted beams exposed in the ceiling. On an upper floor there is a large priest’s room with a concealed spiral staircase leading down. There is a lot to look at inside the house.
The Dining Room and Lower Drawing Room are in one of the wings, built 1694. In the other wing are the post-Catholic emancipation chapel, the brewhouse, exhibitions and the shop. In the grounds are a walled garden, woodland walks, a menagerie, a maze and a pond, formerly a loop of the Tweed river.
I did not have time to explore the grounds.
There is a lot to see here, so you should schedule a longer visit.
Manderston House, Berwickshire
Privately Owned
Though Manderston House looks Georgian, it was built in 1901-1906 as a remodelling of an earlier house on the site. The north front was completely renewed, a new bachelor’s wing added and other parts converted. The architect was told that the cost ‘simply didn’t matter’. The interior designs are inspired by Robert Adams’ work at Kedleston. Downstairs a number of elegantly furnished rooms are on show, including the outer hall, dining room, hall, library, ball-room, drawing room and various ante-rooms. The main staircase has silver-plated brass banisters which required a lot of polishing – now done by volunteers.
The upstairs rooms were closed on my visit, but the basement, which is almost unchanged, was on view. The housekeeper’s room, servant’s hall, manservant’s bedroom, kitchen and scullery were all finished to an unusually high standard. The kitchen has an island cooker with hidden under-floor flue.
The house was filmed for the TV series ‘The Edwardian House’ aka ‘The Manor House’ broadcast by Channel 4 in 2004.
Outside, a disused service wing can be seen attached to the house, screened by trees. Further away are the impressive Stables, and a marble diary with tower and staff housing (not seen). There are also various formal and informal gardens and a boathouse (not seen).
Hatchlands Park, Surrey
National Trust
The Hatchlands estate has passed through various hands. The present house is mostly as built in the 18th century for Admiral Boscawen and his wife. Boscawen died of a fever soon after his retirement, and his widow sold the house after a few years. The next owners, the Sumners, are responsible for the present parkland. The following owners, the Rendels, made some alterations and eventually presented the house to the National Trust in 1945. At this point the house was empty. After various tenancies, the house was offered to artist and collector Alec Cobbe with the suggestion that he fill it with his family’s collection of musical instruments, furniture and pictures.
The interior has been redecorated and now contains a collection of grand pianos and harpsicords, and a large number of pictures, as well as some casts of classical sculptures. All the instruments are kept in playable condition and there are occasional recitals. Guide leaflets for the pictures and instruments are available, and it would be worth taking round the (rather expensive) house guidebook rather than reading it afterwards.
In the grounds there are some walks and patches of woodland. There was no NT shop, seemingly a casualty of Covid19.
Croome, Worcestershire
National Trust
Croome largely represents the vision of a single man, George William, 6th Duke of Coventry. The site was originally boggy land. Lancelot ‘Capability’ Brown was responsible for the landscape and for the remodelling of the house – his first commission. Robert Adam designed a number of room interiors.
A walk (or route march) around the estate brings one past many features of this created landscape. First the church, constructed as an eyecatch after the previous church, judged too close to the house, was demolished. Then an ice house hidden in the wood. Then the walled garden, privately owned and only open at certain times. The Rotunda stands on a rise and forms a viewpoint for the house and several distant eye-catchers.
The house stands in the middle of the park. Nominally, all four floors are open to visitors but when I visited some rooms were closed for repairs and I did not get any guided tour to the top floor. The guidebook floor plan marks part of the Red House extension as open to visitors but the shortform leaflet didn’t and this wing was closed for repairs.
The rooms are mostly empty or used for exhibitions, the original furnishings and contents being elsewhere or lost in a warehouse fire. The Long Gallery has impressive plasterwork, apparently recently restored. The Dining Room plasterwork was colourised by the Kirshna movement when they were in occupation of the house. It looks great, but purists may not agree. Also in this room is a display of some of the Croome china, well worth seeing.
Above, the rooms mostly look unrestored. The Chinese Room has lost its plaster ceiling. Some fell down and the NT removed the rest for safety. Two rooms contain the last private owner’s bathroom fittings, retained by the NT as part of the ‘history of the house’. Personally I think they look awful and should go.
Moving on, a reconstructed Chinese bridge spans the river giving access to more parkland. A hard path leads on to the lake with various monuments, the Grotto with statue of Sabrina, and the Temple Greenhouse. Finally one returns to the church.
At the estate entrance are some black huts which house the reception, shop, and tea-room. The huts are one of the few remnants of RAF Defford, an airfield used during WWII for development work on radar. In another of the huts you will find a very interesting museum and exhibition of RAF Defford and its work.
Rodmarton Manor, Gloucestershire
Privately Owned
Despite its Jacobean appearance, Rodmarton Manor was built in 1909-1927 for Claud Biddulph and his wife. The project was much influenced by the Arts & Craft movement, and was built by hand using local labour and materials. The furnishings were made by craftsmen in Arts & Craft style, and remain in the house.
The interior design and furnishings are of particular interest.
Outside are various sections of garden – a pleasant terrace garden behind the house, and to one side a hedged long walk with fine borders, and a large kitchen garden, partly laid to lawn.
Well worth a visit, particularly for Arts & Crafts enthusiasts.
Sudeley Castle, Gloucestershire
Privately Owned
There has been a castle at Sudeley since Norman times. Parts of the present castle date from the 15th century. The castle was fought over in the English Civil War and afterwards was partially demolished by the Parliamentarians, leaving it as an uninhabitable ruin. In 1837 the picturesque ruin was bought by two wealthy industrialists, the Dents, who restored most parts of the castle as a Victorian country house. Richard III’s hall was left as a picturesque ruin.
Detached from the house is an interesting chapel, also restored in the 19th century.
Many historic names are associated with Sudeley, including Richard III, Henry VIII, Queen Katherine Parr, Lady Jane Grey, Elisabeth I, and George III.
Various rooms are open to the public, but most of these are exhibition spaces. The ‘Castle Rooms’ contain some furnished rooms with interesting contents.
In the grounds are lawns, formal and informal gardens, and an aviary with a collection of exotic pheasants. The grounds are well worth a walk around the circuit.
