Chartwell, Kent

Chartwell entrance front National Trust
Chartwell was the country home of British prime minister and war leader Sir Winston Churchill.
The site of Chartwell was built on from the 16th century, but the present house originated in the Victorian period. It was a brick Victorian house of no architectural merit, but Churchill bought it for its position and the views. It was transformed and extended by the architect Philip Tilden in a vernacular style of the kind made popular by Lutyens. In 1938 it had 5 reception rooms, 19 bed and dressing rooms, 8 bathrooms, and was set in 80 acres of grounds.

A tour of the house takes well under an hour, and it has to be said that the main interest is the Churchill connection. Rooms are displayed as they were in Churchill’s time, or contain exhibitions. Various rooms contain some of Churchill’s books. He owned many thousands of books, and made a living as a writer and historian. His histories of Marlborough, and of the English Speaking Peoples, of the Second World War etc. are still worth reading today. Volumes of his work can be seen shelved around the house. Many of Churchill’s own paintings are also on display. His art may not be to all tastes, but he was regarded as a serious artist. Below the principal ground floor is a lower floor that looks out onto the lakes. The kitchen on this level is preserved as it was in the 1930’s.

Chartwell formal garden
Formal garden

The grounds are very extensive, and contain formal gardens, lakes, woods, a swimming pool, a walled garden with a wall part built by Churchill, and some cottages with Churchill’s art studio.

Access is along narrow roads. The car park is of only moderate size, and when I visited on a March afternoon, it was full.

Ightham Mote, Kent

Ightham, south side with moat National Trust.
Ightham Mote (pronounced I-tam) is a medieval manor house that has survived for over 650 years in a valley in the Weald of Kent. It is entirely surrounded by a moat of running water, fed by a stream that traverses the gardens. The various owners were wealthy but not famed, and made modest changes to the house to adapt it to their needs and tastes. Much of the present outline of the house was in place by the 16th century. The house, with its cream stone and jumble of red-tiled roofs, sitting in a square moat, is very attractive.
If one stands in the central courtyard and looks around, it may look as if the house is of one piece and date, but in fact it is the product of six centuries. The earliest parts of the house date from the 1330s while other parts were built or altered at times from the Tudor to Jacobean to Victorian. The last owner bought the house in the 1950s and some rooms are presented with the decor of this period.
The house suffered sales of its entire contents on more than one occasion, and is presently furnished with furniture appropriate to the periods in which the rooms are presented.
Above the house to the north is a lawn and informal grounds, while to the west are a formal garden and some cottages on the site of the former stable block.
From 1990 to 2004 the house underwent a major programme of conservation during which much of the roof and timber-framed rooms were dismantled, and rotted and infested parts of the timbers cut out and replaced with new wood, before the whole was reassembled, so that the house now looks the same as before, but no longer crumbling. Hence most of the lath and plasterwork in the house is modern. On the other hand, without these repairs and also the repairs carried out in the Victorian period, parts of the house would have eventually fallen down. The conservation programme cost around £11 million.

Ightham Mote is well worth a visit, as it has some fine interiors and is one of the best moated medieval houses in the country.
Note that the approach to the house is along narrow roads.

Courtyard
Courtyard
Ightham Hall int.
Hall
Ightham informal gardens
Gardens

78 Derngate, Northampton

Street frontage The house at 78 Derngate, Northampton, was transformed by the Glasgow architect Charles Rennie Mackintosh from a modest Victorian terraced house to a building with unique modern designs. The client was W.J. Bassett-Lowke, founder of a prosperous local model-making and engineering business.
The transformation was carried out in 1916-17. The Bassett-Lowkes moved on nine years later, and the house passed through various hands before the Northampton Borough Council obtained a 999-year lease in 1996. The house was Grade II* listed in 1965. Full restoration was undertaken in 2001.
The adjoining house, no 80, was included in the project and stripped out to provide modern access and exhibition space. (In old photos, no 80 appears to have a 2-storey high bay on the front).
No 82, also now interconnected, contains gallery space and a dining room/cafe.
The house was jointly designed by Mackintosh and his client. Inside, the basement kitchen was very modern for its day. Upstairs at street level the dining room looks modestly modern, while the hall/lounge looks nearly as bizarre as the photo below suggests. Most surfaces are finished in black, with a coloured frieze applied to the walls, and black furniture. The staircase is turned through 90 deg from its original (and more conventional) position, and is divided off by a lattice screen, also painted black at this level.
At first floor level are the principal bedroom and the bathroom. The bedroom is relatively conventional, and has a balcony. The bathroom was modern in its day and is papered with a washable mosaic design.
On the second floor are a study, repainted in the original colours, and the guest bedroom, which has a striking fabric backdrop to the twin beds which continues up the ceiling.

The house has been restored to its 1917 appearance. Some features are original. Some of the lost original features are replaced by near-equivalents which differ slightly from the originals, and the installation of furniture (usually replicas) seems to be a work in progress.

If you are interested in Mackintosh’s work, or modern design, this house is definitely worth a visit.

Nearby: The Museum & Art gallery, the Guildhall, and St Peter’s Church.

Getting there: there are multi-storey car parks for the Derngate theatres etc. Northampton railway station is a 20 min walk away.

Rear of 78,80,82
Rear
Basement Kitchen
Kitchen
Dining room
Dining room
Ground floor screen
Ground floor screen
Hall/lounge, front door
Hall, front door
Guest bedroom
Guest bedroom